collaborative game for the cinema screen
Realised in the workshop: Digital Stories
Supported by: The French Institute in Bucharest
Screened at: Elvira Popesco Cinema
Realised in the workshop: Digital Stories
Supported by: The French Institute in Bucharest
Screened at: Elvira Popesco Cinema
nunu
nunu is a collaborative game for the cinema screen that transforms the spectators from viewers to active participants. It is played simultaneously on 10 tablets spread throughout the cinema hall, and the results appear on the cinema screen. The players must collaborate to create a character from collage elements and to get him through some tasks. A link between those with a tablet and those without is created, the latter influencing by applause and laughter, everyone becoming active in relation to the cinema screen.
Animation
Book
Posters for UNATC
Posters for different events at the National University of Theatre and Film Arts in Bucharest
Afișe pentru diferite evenimente de la UNATC
Afișe pentru diferite evenimente de la UNATC
PosterJam Challange Posters
We love to make posters!
PosterJam is a monthly challange to create a poster around a word given.
Afișe făcute din joacă, pentru diverse provocări de cuvinte
PosterJam is a monthly challange to create a poster around a word given.
Afișe făcute din joacă, pentru diverse provocări de cuvinte
visual identities
identități vizuale
Projects that visually communicate through posters, logos, illustration and/or animation.
Our aim was to apply a play design strategy
that transforms the client into a collaborator.
Proiecte la care am realizat comunicarea vizuală prin afișe, sigle, ilustrații și animații.
Aplicăm stralegii de joacă, tratând clientul ca pe un colaborator pe care îl ajutăm să-și transmită mesajul către participanți.
Our aim was to apply a play design strategy
that transforms the client into a collaborator.
Proiecte la care am realizat comunicarea vizuală prin afișe, sigle, ilustrații și animații.
Aplicăm stralegii de joacă, tratând clientul ca pe un colaborator pe care îl ajutăm să-și transmită mesajul către participanți.
smidaMEH
What? self-published photozine
When? 17-20 august 2018
Where? Smida Jazz Festival and Cluj
Format: A7
Print: Digital
Paper: 110 g
smidaMEH remembers our trip to Cluj-Napoca and then Smida, at the Smida Jazz Festival in the summer of 2018.
veneziaMEH
What? self-published photozine
When? 17-20 october 2018
Where? la biennale di venezia
Format: A7
Print: Digital
Paper: 110 g
smidaMEH remembers our trip to the venice bienale of architecture in the autumn of 2018.
on models 01 | glass house
What: photozine
When: dec.2015
Where: BucharestWho:atelier 53B/UAUIM
coord. by Octavian Neculai and Ana Maria Crișan
In 2015 the studio of 53 B coordonated by Octavian Neculai and Ana-Maria Crișan created a series of glass houses.
This zine is a photo archive of the projects, just the models, no plans, no name. You have to create your own story based on what you see.
What? photozine
When? nov.2017
Where? Under | Bucharest
When? nov.2017
Where? Under | Bucharest
[MEH is a photography publication that keeps togheter memories, photos and people asscoiated with different events]
under|MEH recounts a concert that we atended in Bucharest on 10.11.17
with friends, Rita Mosss [GR], Friend of Gods [GR] and Las Poftas [USA]
underMEH
still game | un meci linistit
{en}
Sound is a human experience, resulting from signals received by sense organs and sent to the brain. We can perceive them as either pleasant or annoying. But then how can we define silence? Is it the absence of sound? Or rather a diminished perception of certain sounds that disturb us. Sounds that we refer to as noise.
We wanted to define silence by trying to produce it.
We chose a process. We chose a context. We analyzed them in our book.
The process: photography.
Photography selects elements from reality and leaves others out. In this case, it excludes sound. Photography is a silent medium and we chose it precisely for that.
The context: a football game.
A football match is a loud event: you have a large group of people cheering or booing two teams. And this is where we searched for silence.
The book: Still game.
We had a silent image from a loud context. We took pieces from this image: sound artefacts, and we reconstructed them as a visual game.
The result is a new set of relationships between sounds. It’s a new, created noise that you can only imagine but not hear. Therefore, a silent noise.
How do we experience silence?
Sound is a human experience, resulting from signals received by sense organs and sent to the brain. We can perceive them as either pleasant or annoying. But then how can we define silence? Is it the absence of sound? Or rather a diminished perception of certain sounds that disturb us. Sounds that we refer to as noise.
We wanted to define silence by trying to produce it.
We chose a process. We chose a context. We analyzed them in our book.
The process: photography.
Photography selects elements from reality and leaves others out. In this case, it excludes sound. Photography is a silent medium and we chose it precisely for that.
The context: a football game.
A football match is a loud event: you have a large group of people cheering or booing two teams. And this is where we searched for silence.The book: Still game.
We had a silent image from a loud context. We took pieces from this image: sound artefacts, and we reconstructed them as a visual game. The result is a new set of relationships between sounds. It’s a new, created noise that you can only imagine but not hear. Therefore, a silent noise.
{ro}
Cum experimentam linistea?
Sunetul este o experiență umană, rezultantă a semnalelor ce sunt primite de organele de simț și trimise apoi creierului pentru a fi prelucrate. Sunetele pot fi percepute ca plăcute sau deranjante, însă le știm ca existând mereu în jurul nostru.
Dar atunci putem defini liniștea ca absență a sunetului? Sau mai degrabă este o diminuarea a percepției unui anumit tip de sunete: sunetele care ne enervează. Aceste sunete pe care le numim gălăgie sau zgomot.
Am vrut să definim liniștea încercând să o fabricăm.
Pentru asta am ales un proces. Am ales și un context. Le-am analizat într-o carte.
Dar atunci putem defini liniștea ca absență a sunetului? Sau mai degrabă este o diminuarea a percepției unui anumit tip de sunete: sunetele care ne enervează. Aceste sunete pe care le numim gălăgie sau zgomot.
Am vrut să definim liniștea încercând să o fabricăm.
Pentru asta am ales un proces. Am ales și un context. Le-am analizat într-o carte.
Procesul: fotografia.
Fotografia selectează din realitate unele elemente, lăsând altele deoparte. În acest caz, ne interesează sunetul. Sau mai degrabă, cum acesta este eliminat. Fotografia este un mediu silențios și l-am ales exact pentru asta.
Contextul: un meci de fotbal.
Un joc de fotbal este un eveniment recunoscut pentru nivelul de zgomot. Grupuri mari de oameni care își susțin echipa și o huiduie pe cea adversă. Aici am căutat liniștea.
Cartea: un meci linistit.
Aveam o imagine tăcută dintr-un context zgomotos. Am căutat în imagine elemente - artefacte ale sunetului pe care apoi le-am reconstruit printr-un joc vizual.
Rezultatul este un set nou de relații. O nouă gălăgie, fabricată, pe care ne-o putem imagina dar pe care nu o putem asculta. Așadar, o gălăgie liniștită.
illustrations
Various illustrations we didillustrații și desene
The ping pong series
Posters for
One World Romania at School
Afișe pentru One World Romania la Școală
Luna.doc#5
O lună de documentare în școli. Ediția a 5-a - On feminism
Ateliere de documentare creativă Anina
Creative documentaries workshops in Anina
Risipa Hranei
Proiect Caravana Anti-risipă în școli. Proiect realizat de asociația Mai mult verde și One World Romania la școală
micul drept
cnēo
an identity strategy for a prototipe kneepad that won a hackaton in Cluj, Romania.
Togheter with the team that created the prototipe, we searched for a good name and a visual presentation that could be easly understood by their future sponsors.
The project is undergoing.
